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Quantum Chaos Series catalogue essay (2021) 2 pages. A paradigm shift is occurring, away from the concrete and indivisible towards uncertainty. Thomas\u2019s art is grounded in the contention that the quantum \u2018turn\u2019 in theoretical physics is reflected in experimental contemporary art. The quantum world is fiendishly difficult to comprehend\u2014physicist Richard Feynman remarked, \u201cIf you think you understand quantum mechanics, you don\u2019t understand quantum mechanics.\u201d What we do understand is that it is fundamental to existence. Thomas\u2019s current research questions quantum and nanotechnologies that are utilised as part of his concepts of capturing reality in the act of happening. New… <\/p>\n
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Each video is 1min 53sec playtime for all four videos is 7min 32sec Work from the Quantum Chaos set has been shown at Flinder Street Gallery, Sydney; Forces to Form\u201d Pratt Manhattan Gallery Pratt Institute,\u00a0Five Walls Gallery, Melbourne and Recinte Modernista de Sant Pau, ISEA2022, Barcelona.\u00a0 Please refer to the catalogue essay on the ‘Writing Work’ page<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Ask a quantum physicist to draw a chair and the result can be a fundamental shift in how they see the world. A chair in the drawing studio, left, and PhD student Irene Fernandez’s drawing of the chair. Images: Paul Thomas, Irene Fernandez Possibly the world\u2019s first ever quantum drawing workshop has been held at UNSW. Professor of Fine Art Paul Thomas invited 14 participants from UNSW\u2019s ARC Centre of Excellence for Quantum Computation and Communication Technology (CQC2T) to examine Bell\u2019s theorem (1964) via their still life drawing of a simple wooden chair. Bell\u2019s theorem draws an important distinction between… <\/p>\n
A violation of the so-called Bell inequality represents a strong proof of the ability to create and control quantum states of a pair of quantum bits with no classical analogues. Andrea Morello and co-workers have now demonstrated a violation of Bell\u2019s inequality in a pair of qubits in silicon, encoded in the electron spin and the nuclear spin associated with a single phosphorus donor embedded in a nanoelectronic device. The cover image is an artist\u2019s impression of visual fragments mapped spatially from data directly extracted from the measurement of the quantum state of the phosphorus atom. It expresses the… <\/p>\n
Honorary Professor Paul Thomas UNSW | Art & Design UNSW Australia Paddington Campus Cnr Oxford St & Greens Rd, Paddington, NSW 2021 (cnr Greens Rd and Oxford St) PO Box 259 Paddington, NSW 2021, Australia. p.thomas {at} visiblespace.com skype: visiblespace<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Visiblespace is the work of artist Paul Thomas. Current practice-led research focused on my research into Quantum Chaos.\u00a0My recent publication was Quantum Art and Uncertainty 2018 and the\u00a0media art installation \u00a0Quantum Consciousness Paul Thomas is an Honorary Professor in Fine Art at \u00a0UNSW Art and Design. He initiated and is the co-chair of the International Transdisciplinary Imaging Conference series 2010-2022. In 2000 he instigated and was the founding Director of the Biennale of Electronic Arts Perth 2002, 2004 and 2007. Thomas is a pioneer of transdisciplinary art practice. His practice-led research takes not only inspiration from nanoscience and quantum theory… <\/p>\n
\u00a0Spatial Emergence The \u2018Spatial Emergence\u2019 project, was an interactive multimedia CD-Rom. The digital work for \u2018Spatial Emergence\u2019 is the basis for the website structure. The premise was to focus on the transphysical city and document its residual spaces. The research concept of the work ‘Spatial Emergence’ explores the significant spatial intervals between autonomous architectural structures. Its point of departure is Marinetti\u2019s 1913 Manifesto, \u2018…we should express the infinite smallness that surrounds us, the imperceptible, the invisible, the agitation of atoms, the Brownian movements, all the exciting hypotheses and all the domains explored by the high-powered microscope\u2019. (NOVAK 1995) … <\/p>\n
Professor Paul Thomas EDUCATION\/QUALIFICATIONS 2005 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PhDUniversity of Western Australia. 1996\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MA (Hons), University of Western Sydney. 1976-77\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art Teachers Certificate(ATC), Postgraduate Teaching. qualification, University of London, Goldsmiths’ College. 1973-76 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B.A. (Hons),Camberwell School of Art, London. OBJECTIVE:I have been working towards sustainable research in the areas of interdisciplinary and transdisciplinary fine art education practices. This research has led me to explore internationally the effects of emerging science and technology on all aspects of the fine arts. Based on my experience as an artist, I am working towards developing new approaches in the delivery of art and science post new… <\/p>\n
Websties Collaborative Research in Art Science and Humanity Media Arts Scoping study Transdisciplinary Research In Art and Science ART PROJECTS Node 9 Nano_essence Node 7 Nano Midas Node 6 BEAP Node 5 Residual Body Node 4 Ambiantspace Node 3 Ambiance Node 2 Spatial Interaction Spatial research Research reference diagram Current CV Previous Interactive CV Studio of Electronic Art\u00a0 <\/p>\n <\/div>\r\n <\/div>\r\n<\/div>